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裙擺Skirt Panel

Size 16" x 20" / 41cm x 51cm / Weight 2.4kg 

The main difference between Han and Manchurian fashion is in the shorter Han robe and the absence of Chen-Yi without side opening. Thus it must be complemented by an apron skirt (picture shown). Since the robe is covering the upper portion of the skirt, nearly half of its surface area is devoid of ornamentation. Most of the embroidery is concentrated at the two larger panels in the front and back they are commonly called the “Horse Grace”.

The skirt panel is the bottom part which has embroidered dragon, Phoenix, and standing waves and therefore should belong to the spouse of a court official. The multitude of colours on every skirt was well composed and the workmanship was superb. They were all from the nineteenth century. 

Frame the collection and add some designs to present a different artistic style.

清朝的漢族女裝和滿族的最大不同是上衣短，也設有兩侧不開裙的長袍(衬衣）所以一定要覆蓋了裙子上部，所以差不多一半以上沒有刺綉花紋，在中間前後對稱的兩大幅俗稱｛馬面}, 是刺綉最多的部分。

如圖的裙子绣龍鳳立水纹, 應是一個朝庭命婦的。每條裙子都有獨特設計，配色自然，绣工精巧，都是19世紀的衣物。

裙擺是裙子前後對稱的兩大幅最多刺綉的部分, 必須是兩副馬面(兩副刺绣图片).

收藏框起來加上一些設計呈現不一樣藝術風格。

原來的短裙樣本:-